BELO CAMPOInformation

Belo Campo is an epiphyte space for contemporary cultures initiated and run by artist Adrien Missika, currently curated by Francisca Portugal and hosted by Galeria Francisco Fino. It is located in the basement of the gallery in a former wine cellar.

Belo Campo is a not-for-profit structure that aims to infuse and diffuse ideas, experiment with space and time, propose and question formats of contemporary cultures.


Founder and Director: Adrien Missika
Curator: Francisca Portugal


Artist ExhibitionDate
Diogo PintoDiplomacia
24.01.2025 - 03.05.2025

Inês Mendes Leal and Maria Máximo
Force Majeure 28.11.2024 - 18.01.2025

Emmanuelle Lainé & Benjamin Valenza
Apenas nós dois02.05.2024 – 14.09.2024

Henrique Biatto curated by Ana Grebler
Canil17.02.2024 – 20.04.2024

Bruno Bogarim, Beatriz Neves Fernandes, Fox Maxy, Sofia Montanha, Mariana Tilly curated by Pedro Barateiro
Private Property13.12.2023 – 27.01.2024

Ana Manso, Geum Beollae 금벌레, Bernat Daviu, Ana Santos, Gonçalo Sena, Shreyas Karle श्रेयसकर्ले, Rosa Tharrats, André Romão and Hetamoé curated by Joana Escoval
Good evening. Do not attempt to adjust your radio. There is nothing wrong. 24.03.2023 – 17.06.2023

Kinga Kielczynska
Wild Type, Desired Property 05.12.2022 – 15.03.2023

Mané Pacheco
Bestas 15.09.2022 – 19.11.2022

Sarah Ancelle Schönfeld
Ironing Materialism 19.06.2021 – 06.01.2022

Hannah Rowan
Triple Point 18.09.2020 – 22.10.2020

Bless studio, Marta Costa Reis, Ligia Dias, Raquel Dias, Jorge Dias,Patrícia Domingues, Julien Fronsacq, Jenna Kaës, Katie Lagast, LRC designers, Vera Pinto
The Corner Piece 18.09.2020 -  15.01.2021

Carlos Monleón curated by Margarida Mendes
Gastrula Stage 03.05.2019 – 27.07.2019

Saâdane Afif, John M. Armleder, Kinga Kielczynska, Fabian Knecht, Isa
Melsheimer, Steve Paul Steven Paul, Mandla Reuter, Sophie-Therese Trenka-Dalton curated by Adrien Missika

SAM M LUNG 15.02.2019 – 20.04.2019

David Horvitz
Água Viva 14.05.2018 – 28.07.2018

Diana Policarpo
Dissonant Counterpoint 27.01.2018 – 01.03.2018

Gina Folly
Follow You 11.11.2017 – 11.01.2018

Mané PachecoBestas
15.09.2022 – 19.11.2022




More than a closed narrative, mythology is an instrument of the ethical being that formulates a trans-corporeal materiality whose beliefs and forms are mutually constitutive. To look into the oeuvre of Mané Pacheco is to accompany her trajectory in creating a myth- imagination. In Beasts, a myth-imagined exhibition, the artist creates hybrid, genderless monsters that are nevertheless sexual (too sexual?) and whose post-extractivist predisposition draws from the folk wisdom and beliefs surrounding the rubber tree (Hevea brasiliensis) native to the Amazon. This tree supplies the raw material – latex – to produce natural rubber, a material recurrently used by the artist. 

Due to the biodegradable, renewable and potentially sustainable nature of the material, this choice is also ethically and environmentally responsible, especially when compared to the equivalent synthetic polymer alternative. Rubber tree production ensures the existence of an ecosystem capable of absorbing tons of carbon, as well as a significant livelihood to indigenous communities. 

Its lifecycle, the genealogy of rubber-harvesting and the rituals and myths associated with its extraction have led to a research based on the mythology of the Amazon. The ethical and ecological functions of the fables and mythical characters offer both resonance and a point of departure for extractivist myth-imagination, in which the hybridization of some materials that are prevalent in contemporary industry (transportation, communications, tubing) is complemented by bio-morphological forms that configure a trans-corporeality in which the dominant/dominated roles are subverted. 

From the forest to the BDSM scene, the issues of domination are at once expressive and ambiguous. Who dominates whom or what? When and to what extent? Both the simulacrum-dimension of domination and its unavoidability in nature and the world coinhabit in a circumscribed space expanded by the imaginative drive. Cooperation, seduction and threat are the tools that beasts reach for to ensure the balance of unavoidable extractivist actions, which condemn to chaos and curse those who transgress the myth-imagined rules set by Mané Pacheco.















































© Vasco Stocker de Vilhena