BELO CAMPOInformation
Belo Campo is an epiphyte space for contemporary cultures initiated and run by artist Adrien Missika, currently curated by Francisca Portugal and hosted by Galeria Francisco Fino. It is located in the basement of the gallery in a former wine cellar.
Belo Campo is a not-for-profit structure that aims to infuse and diffuse ideas, experiment with space and time, propose and question formats of contemporary cultures.
Founder and Director: Adrien Missika
Curator: Francisca Portugal
Artist
ExhibitionDate
Diogo PintoDiplomacia
24.01.2025 - 03.05.2025
Inês Mendes Leal and Maria Máximo
Force Majeure 28.11.2024 - 18.01.2025
Emmanuelle Lainé & Benjamin Valenza
Apenas nós dois02.05.2024 – 14.09.2024
Henrique Biatto curated by Ana Grebler
Canil17.02.2024 – 20.04.2024
Bruno Bogarim, Beatriz Neves Fernandes, Fox Maxy, Sofia Montanha, Mariana Tilly curated by Pedro Barateiro
Private Property13.12.2023 – 27.01.2024
Ana Manso, Geum Beollae 금벌레, Bernat Daviu, Ana Santos, Gonçalo Sena, Shreyas Karle श्रेयसकर्ले, Rosa Tharrats, André Romão and Hetamoé curated by Joana Escoval
Good evening. Do not attempt to adjust your radio. There is nothing wrong. 24.03.2023 – 17.06.2023
Kinga Kielczynska
Wild Type, Desired Property 05.12.2022 – 15.03.2023
Mané Pacheco
Bestas 15.09.2022 – 19.11.2022
Sarah Ancelle Schönfeld
Ironing Materialism 19.06.2021 – 06.01.2022
Hannah Rowan
Triple Point 18.09.2020 – 22.10.2020
Bless studio, Marta Costa Reis, Ligia Dias, Raquel Dias, Jorge Dias,Patrícia Domingues, Julien Fronsacq, Jenna Kaës, Katie Lagast, LRC designers, Vera Pinto
The Corner Piece 18.09.2020 - 15.01.2021
Carlos Monleón curated by Margarida Mendes
Gastrula Stage 03.05.2019 – 27.07.2019
Saâdane Afif, John M. Armleder, Kinga Kielczynska, Fabian Knecht, Isa
Melsheimer, Steve Paul Steven Paul, Mandla Reuter, Sophie-Therese Trenka-Dalton curated by Adrien Missika
SAM M LUNG 15.02.2019 – 20.04.2019
David Horvitz
Água Viva 14.05.2018 – 28.07.2018
Diana Policarpo
Dissonant Counterpoint 27.01.2018 – 01.03.2018
Gina Folly
Follow You 11.11.2017 – 11.01.2018
David Horvitz
Água Viva14.05.2018 – 28.07.2018
On the shore of the Pacific Ocean in Palos Verdes, California I attempted to transcribe (with the Roman alphabet) the sounds of the water crashing against the shore. I wanted to create a compositional score that can be performed by human voice. The vibrations of our vocal chords with the air exhaled from our lungs simulating the sounds of water, sand and rocks.
On May 13th sitting on the rocks in Praia da Azarujinha the scores were performed by a group of people. We read the sounds of the Pacific to the Atlantic, like a letter from one ocean to another, like a dialogue between two bodies of water, with voices collapsing distance.
Underlined in a Rachel Carson book somewhere on my bookshelf in my home in Los Angeles is a paragraph that discusses the chemical similarities between human blood and sea water, a remnant of life’s origins in the sea.* I imagine that inside our body we carry the sea wherever we go. But maybe it is not us that are carrying the sea, but the sea who has shaped itself in our form.
The scores in the exhibition were made with watercolor, ink, pigment, tap water, sea water, and sea salt. Visitors are encouraged to perform the scores, bouncing their voices through the concrete rooms of Belo Campo.
David Horvitz
*When they went ashore the animals that took up a land life carried with them a part of the sea in their bodies, a heritage which they passed on to their children and which even today links each land animal with its origin in the ancient sea. Fish, amphibian, and reptile, warm-blooded bird and mammal – each of us carries in our veins a salty stream in which the elements sodium, potassium, and calcium are combined in almost the same proportions as in sea water. This is our inheritance from the day, untold millions of years ago, when a remote ancestor, having progressed from the one-celled to the many-celled stage, first developed a circulatory system in which the fluid was merely the water of the sea. In the same way, our lime-hardened skeletons are a heritage from the calcium-rich ocean of Cambrian time. Even the protoplasm that streams within each cell of our bodies has the chemical structure impressed upon all living matter when the first simple creatures were brought forth in the ancient sea. And as life itself began in the sea, so each of us begins his individual life in a miniature ocean within his mother’s womb, and the stages of his embryonic development repeats the steps by which his race evolved, from gill-breathing inhabitants of a water world to creatures able to live on land.
Rachel Carson, The Sea Around Us, 1950.
© Marco Pires